George Balanchine Catalogue - Video Archives

The George Balanchine Foundation
Video Archives

The George Balanchine Foundation Video Archives consists of two collections: the Archive of Lost Choreography and the Interpreters Archive. With the video archive program, the Foundation offers an invaluable reference tool that preserves forever Balanchine's views about his own choreography.

The Archive of Lost Choreography is dedicated to the retrieval of Balanchine choreography no longer performed and in danger of permanently disappearing. The Interpreters Archive features the creators of important Balanchine roles as they teach and coach the roles with dancers of today. This provides a unique record of the choreography as it first took shape. The complete Video Archives are housed in the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts, and copies are made available to non-circulating research repositories around the world.

Sylvia video shoot w/ Maria Tallchief and Judith Fugate.
Credit: Costas
Choreography by George Balanchine © The George Balanchine Trust

Nancy Reynolds, dance historian, writer, and the Foundation's director of research, conceived and continues to direct the program, assisted by filmmaker and professor emerita Virginia Brooks, independent film maker Gus Reed, and two New York City Ballet alumni under Balanchine, Paul Boos, now a repetiteur with the George Balanchine Trust, and Nichol Hlinka, former principal dancer.

While films, videotapes, audiotapes, and photographs of the Balanchine œuvre exist, the individual's personal experience of being coached by Balanchine and performing his ballets is, above all others, the most immediate means of understanding the spirit, musicality, and technical challenge of his work. The Foundation's mission is to capture Balanchine's original choreographic intent through the dancers who created new ballets with him in the studio, transmitting his initial ideas in the most direct possible way. The Video Archives may be seen as uncovering a "manuscript" or "original text" of various Balanchine roles.

Arthur Mitchell and Tai Jimenez Arthur Mitchell, artistic director of Dance Theatre of Harlem, coaching company principal Tai Jimenez in the pas de deux from George Balanchine's Agon.
Credit: Brian Rushton
Choreography by George Balanchine © The George Balanchine Trust

The video project has been funded, in part, by the National Endowment for the Arts, the New York City Department of Cultural Affairs, the Gladys Krieble Delmas Foundation, the Fan Fox and Leslie R. Samuels Foundation, the Howard Gilman Foundation, the Rudolf Nureyev Dance Foundation, the Shubert Foundation, the Massachusetts Youth Ballet, the Jerome Robbins Foundation and private donors.

At present, 64 titles (complete works or excerpts) are housed in libraries world-wide; additional programs are awaiting funding for editing. The series is open-ended, and further video coaching sessions will be scheduled as funding becomes available.

Video crew in Scotch Symphony.
Credit: Costas

Project Links:
Listing of the Archive Videos »
Listing of Archival Libraries »
Index to the Archive Videos »

If you would like more information on The George Balanchine Foundation Video Archives or would like to make a contribution to this project please contact The George Balanchine Foundation.


The George Balanchine Foundation Logo